Monthly Archives: March 2014

Robert M. Price

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Robert M. Price, a fan of H.P. Lovecraft since the Lancer paperback collections of 1967 appeared, began writing scholarly articles ands humorous pieces on HPL and the Cthulhu Mythos in 1981. His celebrated semi-pro zine Crypt of Cthulhu began as a quarterly fanzine for the Esoteric Order of Dagon Amateur Press Association in 1981 and made it to 109 issues. In 1990 he began editing Mythos anthologies for Fedogan & Bremer and Chaosium, Inc. and still does! His fiction has been collected in Blasphemies and Revelations.



T. E. Grau

Grau

T.E. Grau is an author of dark fiction whose work has appeared in numerous anthologies, including Tales of Jack the Ripper, The Best of The Horror Society 2013, Dark Fusions: Where Monsters Lurk, Suction Cup Dreams: An Octopus Anthology, World War Cthulhu,
The Dark Rites of Cthulhu,
Urban Cthulhu: Nightmare Cities, Dead But Dreaming 2, The Aklonomicon, and Horror for the Holidays, among others; and such magazines and literary journals as LA Weekly, The Fog Horn, Eschatology Journal, and Lovecraft eZine. His two chapbooks, The Mission and The Lost Aklo Stories, will be published in early 2014 by Dunhams Manor Press. In the editorial realm, he currently serves as Fiction Editor of Strange Aeons magazine. T.E. Grau lives in Los Angeles with his wife and daughter, and can be found in the ether at The Cosmicomicon.

Edward Lipsett

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Edward Lipsett was raised in Maryland, USA, but has lived in Japan for over three decades now.

He runs Intercom, Ltd., a Fukuoka-based translation and design firm specializing in English, Japanese, Chinese (both), and Korean, in addition to various publishing imprints, including Kurodahan Press, which specializes in English-language translations from Japanese, and Trident House, which publishes the Japanese-language Night Land magazine featuring translations of leading English-language horror fiction with local content.

In spite of the advice of almost everyone he knows, he remains hopelessly addicted to books of almost every description.

He has published a number of works translated from Japanese, for publication by Kurodahan Press, and contributed two translations of short stories by Japanese author Ken Asamatsu to:
The Mountains of Madness and Cthulhu’s Reign.

Wilum Hopfrog Pugmire

Pugmire

Wilum Hopfrog Pugmire is the author of many collections of Lovecraftian weird fiction, including The Tangled Muse, Uncommon Places, Encounters with Enoch Coffin and Bohemians of Sesqua Valley.
His next book will be a wee novel, written in collaboration with David Barker, The Revenant of Rebecca Pascal. He dreams in Seattle, WA.



Celaeno Press stylesheet

v1.0 posted March 3, 2014

Celaeno Press Style Guide

This document is in two parts. The first part refers to the technical specifications we expect to see in documents submitted to us. The second part covers conventions of usage we prefer to see. As one might expect, the first part is less open to modification than the second part.

Part One: Technical Specifications

Word processing:
Use Microsoft Word; if this is impossible, submit your document in rich text format (RTF). We strongly recommend Word (DOC), because the revision tracking feature is extremely helpful. If you cannot meet either of these conditions, contact us first and ask for advice.

Document formatting:

There is a guide to formatting at http://www.shunn.net/format/story.html which we mostly follow.

  • Use a common font (such as Times) at 10 or 12 point size.
  • As much as possible, use only one font at one size throughout your document.
  • Use bold for titles and subtitles; use italics for emphasis.
  • We prefer that you NOT start paragraphs with tabs, and NOT insert an extra return between paragraphs. If this really offends you go ahead and do it anyway, but be consistent about it!
  • If you need a blank line in your text, use "**blank line" in the document.
  • You can use headers and footers if you wish, but do not put important information in headers or footers if it does not also appear somewhere else. If possible (depending on your software), put page numbers and your name in either the header or footer on every page.
  • When you insert comments, mark them clearly with ** flags. For example:
    **This next section should be printed in Courier font
    **This section is swiped from Poe.

If you wish, you can also highlight comments with a different color. Whatever you do, always use two asterisks (**) to mark your comments.

Document layout:
On the first page of your document, include the following information in the following order. Please put each item on a different line.

  • Your mailing address.
  • Your email address.
  • Optional but it could be handy: Your telephone number
  • Your real name (for tax purposes) and the pen name to be used, if any. Specify which is which!
  • Title of the work.

In general:
Make your document plain and simple. It may not be as attractive as you might like, but it will keep problems and file sizes to a minimum.

Part Two: Style Conventions

In general:
For the sake of convenience and to aid in mutual understanding, Celaeno Press turns to the Chicago Manual of Style to answer questions as they arise. We will not always follow the Chicago Manual’s advice, but we will start there to explain what we prefer to see in print.

Celaeno Press uses American English as the basis of its own documents and most of its publications. Punctuation will follow American usage as outlined in the Chicago Manual.

We also use the following general reference works as authorities: Encyclopaedia Britannica, and Webster’s Third New International Dictionary. We view matters of style and usage as conventions, not laws, and so we are open to reasoned argument if you want to do something other than what we initially require. Please be aware that "this is right" and "this is wrong" are not in themselves convincing arguments.

Try to avoid special fonts such as symbol sets or Unicode characters in your document. Although these are often the best way to get a particular accent, they are also among the first things to go wrong when several different people attempt to work on the same file. If you must use a non-standard accent, make a note in the text, such as:
**S has a dot under it

We may ask you to send a PDF of your document to make sure of our understanding of a particular character or glyph.

Some specific cases:
Chicago (at 15.16) says that abbreviations such as Dr., Mr., Mrs. Ms. etc. get periods following and are only spelled out when used alone.
Also, note that you can write James Watson, M.D. or Dr. James Watson, but NOT Dr. James Watson, M.D.

Generally commas and periods are placed inside quotation marks, and colons and semicolons outside of them. Exclamation marks and question marks depend on context for placement. The final serial comma is strongly recommended by Chicago (for example, “He had toast, sausages, and eggs for breakfast.”). En and em dashes normally do not have spaces between them and the adjacent words.

For ellipses we follow the rules laid out in Chicago 16th edition sections 13.48 through 13.56, but translators may use single-character ellipsis glyphs if they prefer.